THE NEW YORKER
October 31, 2016
The little-known American photographer worked closely with László Moholy-Nagy in Chicago, in the nineteen-thirties, and was similarly drawn to the medium’s experimental fringes.
Download Article (PDF)October 31, 2016
The little-known American photographer worked closely with László Moholy-Nagy in Chicago, in the nineteen-thirties, and was similarly drawn to the medium’s experimental fringes.
Download Article (PDF)September 20, 2016
This sample of 29 prints is therefore welcome and timely. The experimental spirit that he encouraged in his writings is more in synch with the zeitgeist than perhaps at any time since the late ‘60s-early ‘70s. Mariah Robertson and Matthew Brandt are only two of the many younger artists whose color pictures wouldn’t look out of place next to his.
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