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Museum Exhibition

April 28, 2018

PICTURE FICTION:
Kenneth Josephson 
and Contemporary Photography
April 28–December 30, 2018

MUSEUM OF CONTEMPORARY ART, CHICAGO

Gallery Event

April 28, 2018

MADISON AVENUE GALLERY WALK
Exhibition walk through and discussion with KHALIK ALLAH

link to RSVP

link to calendar of events

PGH PHOTO FAIR

April 27, 2018


CARNEGIE MUSEUM OF ART
Hall of Sculpture 
4400 Forbes Avenue
Pittsburgh, PA 15213

Saturday April 28th and Sunday April 29th
10am to 5pm

Admission is free and open to the public
link to fair information

PREVIEW PARTY
April 27 6–9 pm
link to tickets

Recent Press

April 3, 2018


KHALIK ALLAH in THE FILM STAGE 

New Directors/New Films 2018 Review by Jason Ooi

In just two films, he has developed and honed his incomparable style, providing the festival, and the documentary form itself, with one of the most memorable, intense experiences in recent memory.

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Recent Press

March 28, 2018


KHALIK ALLAH in THE NEW YORK TIMES

BLACK MOTHER selected as one of
11 Movies You Need to Know at New Directors/New Films by A.O. Scott

Gliding from color to black and white, from digital to analog, from grim realism to spiritual ecstasy, the film offers a song of praise to the island of Jamaica and a reckoning with its painful history and hard-pressed present. Mr. Allah gathers a rich blend of voices, faces and natural wonders, a kaleidoscope in which shards of violence and poverty commingle with glimmers of dignity and resilience.

link to article

Recent Press

March 26, 2018


5 TOP UPPER EAST SIDE ART GALLERIES

NewYorkHotels.com

Artists Interview

March 19, 2018


LOIS CONNER
Interviewed by George Slade in B+W MAGAZINE

What initially sends me out into the world is often a story, photograph or painting; some aspect of the world that haunts me because of its absolute unfamiliarity, its beauty or incomprehensible existence. Trying to render a visual encounter through photography is nearly impossible. Bending and twisting what the camera faithfully describes into something of fiction in order to give form and meaning to what exists in front of you. With the confluence of light, circumstance, chance and a dozen other factors I attempt to conjure up a world, one seemingly half-imagined and breathing with the life of histories.

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Recent Press

January 29, 2018

KHALIK ALLAH in HUCK

Dark, soulful portraits of Harlem at night
Psychic x-rays

By MISS ROSEN

Khalik Allah takes to the streets of New York City, capturing the nocturnal locals of Harlem in a series of bold and beautiful images.

In the summer of 1998, Khalik Allah had come to a major crossroad after failing eighth grade. Dancing with a B-boy crew had been keeping him out late at night, and school had failed to interest him. Yet he understood the importance of educating himself. Concerned about his future, he headed up to Harlem and began to study with the Five-Percent Nation at the Allah School.

FULL ARTICLE

Recent Press

January 27, 2018

Fireflies: Fax Machine Images
On WILLIAM LARSON by CHARLES H. TRAUB

DEAR DAVE 26

After 40 years, I’m still in awe of William Larson’s Firefly images. I first encountered them in 1977 when I began working on a chronicle of photography at the Institute of Design (ID) in Chicago, The New Vision: Forty Years of Photography. Larson’s faxed images became a quintessential and exemplary art of my traveling exhibition that originated at the Light Gallery in 1979 and in the subsequent book, published by Aperture in 1982. How time flies!

Fireflies in themselves are light in motion. Catching them is about timing (a quick hand) and image making is about all three—time, light and motion. In a single transmission, William Larson caught something new about this relationship that hadn’t been seen before in six-minute transmissions of collaged and montaged images using a Graphic Sciences DEX 1 Teleprinter in 1969. He sent his imagination flying into a new world of transmission.

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Recent Press

January 18, 2018


KHALIK ALLAH in THE NEW YORKER

A Filmmaker and Photographer’s Urgent, Personal Portraits of Harlem at Night
by Richard Brody

These images—of people, mainly black people, many of whom endure drug addiction, physical infirmities, poverty, homelessness, and harassment from the police—have an essential documentary urgency. They also have a spiritual essence, an element of passion and grace that’s revealed by Allah’s compositional grandeur and textural intimacy—but these revelations of style arise from his own experience, which he also details in the book, in an extraordinary personal essay, “Camera Ministry.” In the essay, Allah—who has an exhibition opening at New York’s Gitterman Gallery, in March—discusses his first enthusiasm for filmmaking, in the late nineteen-nineties, as a teen-ager from Long Island, at the same time that he began to frequent Harlem, to study the work of the Five Percent Nation, and to become friends with members of the Wu-Tang Clan. He discusses the happenstance of his sudden interest in photography at a time, in his early twenties, when he had put his filmmaking on hold. It’s a story that involves his family, but, above all, it involves his relationships with the people whom he photographs, as well as with other people whom he encountered on the street.

full article