Photograph Magazine
January 20, 2015
Edmund Teske’s photographs seem to exist outside of any standard chronology. They include otherworldly, almost Victorian studies as well as portraits of such public figures as The Doors’ Jim Morrison.
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Edmund Teske
The New Yorker
January 5, 2015
Always on the verge of being rediscovered, the idiosyncratic American photographer (who died in 1996) may be too sincere to come back into fashion, but his experimental approach should appeal to photography’s boundary-busting avant-garde.
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