1883–1961

František Drtikol’s photographs are distinctly emblematic of the Art Deco period (1920s and 30s) by merging styles of Symbolism, Pictorialism, and Modernism. Though most known for his Pictorial images of nudes in Modernist stagings, we highlight a series from the early 1930s he referred to as “photopurism.” In this series, he photographed paper cut-outs and carved wood figures, as Mannerist silhouettes of the human form, in geometric abstract environments, to explore themes of Buddhism. He gave up photography in 1935 to concentrate on painting.