THE NEW YORKER
December 31, 2019 - Richard Brody
KHALIK ALLAH's BLACK MOTHER selected as THE NEW YORKER Best Movies of 2019
Link to article
The documentary filmmaker Khalik Allah, whose new feature, “Black Mother,” opens on Friday, is one of the most original cinematographers of the time. The modern cinema is a photographic cinema, with its roots in the hands-on creation of personal and highly inflected images; Allah is also a notable still photographer, and he made “Black Mother” the same way that he makes stills. He filmed the movie alone in the company of his subjects, doing his own camera work (in a variety of film and video formats, in color and in black-and-white); for that matter, he also recorded the sound. But his photographic sensibility is only one element of his exemplary art. He also edited the film, and his complex sense of audiovisual composition—textural, tonal, thematic, rhythmic, philosophical—is as original and as personal as his cinematography.
Link to the rest of Richard Brody's review from March 8