HERBERT MATTER is included in

ABSTRACT EXPRESSIONISM at the
GUGGENHEIM BILBAO

February 3 – June 4, 2017

JOSEF BREITENBACH is included in

BEGIN TO SEE: The Photographers of Black Mountain College at
BLACK MOUNTAIN COLLEGE MUSEUM + ARTS CENTER
Asheville, North Carolina

January 20 – May 20, 2017

GITTERMAN GALLERY included in TRAVELMAG's Best Galleries on the Upper East Side.

Gitterman’s well-curated photographic exhibits capture realism as much as they obscure it. The thought-provoking show “Hommage à Christian Bouqueret” was a collection of the late historian, curator and collector’s vintage photographs. One particular highlight was an untitled gelatin silver print by Roger Parry that depicted, with vivid color, the dejected beauty of a young woman. Another by François Kollar superimposed images to show how two souls can occupy one body. This sense of warring duality permeated the entire exhibit. 

Read more:

L'Oeil de la Photographie

Musée Magazine

BW Gallerist

Artwell Guide 

JOSEF BREITENBACH in

THE RADICAL EYE: Modernist Photography
From the Sir Elton John Collection at the
TATE MODERN

November 10, 2016 – May 21, 2017

HENRY HOLMES SMITH exhbition revieved in THE NEW YORKER by Vince Aletti.

The little-known American photographer worked closely with László Moholy-Nagy in Chicago, in the nineteen-thirties, and was similarly drawn to the medium’s experimental fringes. 

HENRY HOLMES SMITH exhbition revieved in COLLECTOR DAILY by Richard B. Woodward.

This sample of 29 prints is therefore welcome and timely. The experimental spirit that he encouraged in his writings is more in synch with the zeitgeist than perhaps at any time since the late ‘60s-early ‘70s. Mariah Robertson and Matthew Brandt are only two of the many younger artists whose color pictures wouldn’t look out of place next to his.